Jay Parini’s adaptation of the Rudyard
Kipling story is absorbing but has an elusive quality. Perhaps this
is intentional. Madeline Knight successfully conveys the complexity
of the central character and her instant mood swings. She can be
cool, jingoistic, warm hearted and callous.
It is a play in two acts. The first act is
set in 1903 when Mary was 21 years old. She is employed as the
companion to the aging and cantankerous Miss Fowler (Sophie
Bicknell) and governess to the her orphaned 10 year old nephew Wynn
Fowler (Oliver King), a bright, wayward and confident personality.
This act is laced with light drawing room wit.
The second act takes place in the opening
months of the First World War when Wynn has enlisted in the Royal
Flying Corps. The mood becomes more somber as there is a sense that
Wynn’s chances of survival are limited.
Although carefully staged and directed,
there is an atmospheric quality to the play which a stage version
with all its constraints doesn’t quite capture. Most of the action
in the second scene takes place out of doors and perhaps the medium
of film would give a fuller sense of space.
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