This smashing theatre experience commences
at a ‘meeting’ for Bitches where Lesley is attending, but does
not want to be there and storms off and so the tale begins.
Following attending a fancy dress party,
Lesley wakes up in her hallway minus car, keys, bag, mobile and her
all important necklace, but in a possession of aubergines and wine,
and no real memory as to how she got there.
In trying to get her life back in kilter
she introduces us to Ahbed, the mini cab driver who she vaguely
remembers giving the necklace to, and needs to find to get it back,
Mohammed, a neighbour, Gregor, a Pole, Paco her friends Columbian boyfriend,
Kabul, a Kebab shop owner, all the people who may assist her in
finding her mobile, the only link she has with the mini cab firm,
and thus her only chance of recovering said necklace. But who is
Bernadette?
Zoe Lewis, who also wrote the play, plays
all roles and breathes life into all her characters with fine acting
and her accents are at all time excellent. The limited use of slides
to depict places is not over used and adds to the performance.
The play has a message and asks questions
that should really be able to answered. But can they be?
One question I would like to ask is why
such a fine piece of theatre is not packing them in. This really
deserves a better response than it has been getting, so go on,
you’ll not regret it.
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