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Non
Fringe Musical 2004 |
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Footloose |
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It
is becoming a regular thing now to take cult movies and to create
musical theatre, such examples in recent times being Witches of
Eastwick, Saturday Night Fever, The Full Monty and Fame so it
should be no surprise that this eighties movie has been given the
same treatment.
The
storyline is fairly accurately retained and, unlike some, so are
most of the well-known songs from the film also, including Holding
out for a hero, Let’s hear it for the boy and
of course, the eponymous Footloose.
The
UK premier of this show was in early February and now about 1/3 of
the way through the tour the cast are as would be expected well
versed in their roles. Their enthusiasm, together with no little
talent, oozed from every pore, matched only by their sweat during
some of the most energetic and athletic choreography I have seen
for quite sometime.
Set
in a small town no one‘s ever heard of called Beaumont, the
place where Ren McCormack (Chris Jarvis) and his mother, Ethel
(Verity Betham) are forced to move to on the break up of their
family. Beaumont is ruled by Reverend Moore (Oliver Tobias), and
his word seems to be law with everyone except his daughter Ariel
(Rachel Wooding).
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Ren
struggles to come to terms with his new environment, not least
that Beaumont law does not allow dancing in any form, following a
tragedy that occurred some years before. He ably abetted by Ariel,
his friend Willard Hewitt (Taylor James) and Willard’s would-be
girlfriend Rusty (Cassidy Janson) visit another town so that they
can experience the wonders of dancing.
Thus
inspired Ren sets out to change the local laws banning dance in
Beaumont, leading to further problems for his family and getting
even further on the wrong side of Rev Moore. Following the
unsuccessful attempt to sway the local council, Ren pleads his
case personally to the Reverend. His arguments are further backed
up by Vi Moore (Marilyn Cutts) and finally the Reverend gives his
blessing for the High School dance to go ahead. And then some!!
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The
performance I witnessed in Edinburgh was opening night and as with
all opening nights there were some technical difficulties,
especially with the sound initially. Once this was cleaned up I
could really appreciate the excellent standard of singing that was
on offer. I feel it only right to single out one singer, Cassidy
Janson. Her voice was absolutely stunning.
I’ve
already mentioned the high standard of the dancing, but Chris
Jarvis and Taylor James particularly impressed. There were some
very clever devises used in both this and in the direction, just
occasionally reminiscent of other musicals. In general it worked
really well and was enthusiastically received by the packed house,
most of which were on their feet for the ‘encore.’
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Footloose is on tour until
October, you can get full tour details on their website www.footloosethemusical.co.uk
and if you want a good, fun night out the this could well be the
place have it.
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