There is a lovely looseness about Bridget
Christie’s show. There are, of course, the scripted sections of
stand up and really strong visual humour but in between she seems to
veer off at a tangent. If it works, she goes with it and, if it
doesn’t, her attitude is well sod it, just get back to the script.
I like the chances she is prepared to take.
Her performance is built around her
fixation with Charles II after she saw his portrait as a child. She
goes into the character of the King, who then acts as a compere for
a selection of characters of the period, each of whom have their
take on the 21st century. There is the big contrast
between a laid back Samuel Pepys and the crazy witch hunter Matthew
Hopkins. The most unusual part of the show is her interpretation of
the plague – a touch of surreal humour.
With Bridget Christie don’t expect a
totally slick act. What you will get is a performance which is
funny, whacky and idiosyncratic.
****
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