To reach Bethany Black’s show the
audience first had to make their way through a network of darkened
caves in order to avoid the flooding that had been brought on by the
“light showers” we have recently had to endure.
Black herself stood at the entrance to her venue thanking
everyone for showing up at such a late hour and in such inclement
weather. And it proved
important that Black made such a connection with her audience as her
work is deeply personal.
Bethany Black is a male to female
transsexual. She now
describes herself as 5’10” of lesbian, the result of Marilyn
Manson breeding with Harry Potter.
And if you think that the beginning to a show can’t be any
more unique than that, well wait until she hits you with the suicide
attempts. In any other
hands this could have killed off the show before it had properly
begun, but Black is adept at lighting up the darkness of her
situation.
Black then describes to us, in detail at
points, the journey between genders.
It’s a brave tale and one which I found interesting and
heart-warming. At times empathy for Black’s situation took over from the
laughter, but there was still more than enough humour sprinkled
throughout. This show
proves that it is possible to have comedy that’s meaningful, that
can explore serious subjects without making people uncomfortable.
Black has crafted a life-affirming show for this year’s
Fringe and all credit to her for doing so.
***
|