It took me a little while to warm to
Abigail Burdess’ universe of slightly off-kilter, slightly bizarre
characters but warm to them I did.
Ranging from a ‘yah’ supermodel to an audience hectoring
Buddhist, Burdess performed each with enthusiasm, all from the
confines of a wheelchair (I’m not entirely sure she planned to
bring a foot injury to this year’s Fringe).
Some characters were a bit hit and miss but each raised their
own particular giggles. A
musical spoof of the Lily Allen/Jamie T style of ‘British
patter’ was particularly entertaining as was the spookily accurate
‘Burt’ Simpson finale.
The material was diverse enough to keep the
show varied and it was well held together by Burdess recovering from
her ‘multiple personalities’ and sharing her old granny’s
wisdom with the audience. In
addition the finale very literally brought the house down, as
manouvering the wheelchair in such a confined space resulted in
Burdess partially destroying her set. However, these things happen and you can forgive this minor
blip from such a likable perfomer.
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